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ON MY DAILY LIFE

When it comes to job offers that you finally receive, you got to choose, and sometimes reject. Know how to say NO. 

So it's been a long time since you have sent out your first CV, after which you probably sent 200 more and got around 20 replies, as maximum. Well at least that's what happened to me at the beginning of September when I was absolutely sure that with my brilliant customer service experience it won't take long for me to find an ideal job, or at least any job, for which I was already ready when November was starting and I was left with a couple of unsuccessful interviews that I had during that 2 months. However one day I woke up and saw this lovely email where one Marketing company was inviting me for an interview in Canary Wharf. After a 2 second search on the area, I was already imagining myself working in a sky-scaper, guess it was a ''Suits'' impact! 

 

For an interview I arrived prepared as never before, I also felt very confident and the reason for this might be the building in which the company had an office, it was nothing like a sky-scaper, so I was like - Whatever! It wasn't posh but it was still a nice office. And what's more important it's a job. And I let it go. And it worked. By that moment I had enough of interviews what made my answers very clear and myself quite goal-oriented, I would say. I was told that the company does work with a lot of different clients including some fashion companies. They told me that they are interviewing around 30 people, and will choose only half of them for the second interview, what made me want this job again. So the same evening I received an invitation for the second interview.

What can I say next is that I am the luckiest person ever, that I didn't wear my favorite heels, that I wear on every interview, that day. I was more than happy and ready to be a shadow of one of the staff member for the whole day, the problem appeared when the boss introduced me to the staff member after what I was told to put my jacket back on and follow the guy. I enjoyed that lovely area for around 5 minutes, while we we catching a train to go to North London. The staff member's name was David and we got on really well, at first he read my CV once again and later on we were discussing TED talks and many more lovely things, everything was lovely, apart from the fact that it was a heavy rain & wind, I was wearing skirt and walking across the houses, in order to knock to 150 doors and speak to as minimum as 100 people. As it turned out the client of this amazing firm at that time was ''UNICEF'' and that's the first reason that made me stay and not to run home after the first hour. The second was the fact that I don't leave anything half-done, I promised myself that morning that I will be the one out of that 12 people, who will become a part of the team, and I was still working on it, even if it all went out of the plan. It turned out to be a door-to-door marketing. 6 hours under the rain and not in the safest area. I was trying to leave the best impression until the end of the shift and the moment when I found out that there is no minimum salary, if I sell nothing, I get nothing. I have quite good communication skills and was sure that I would be able to earn at least 30 pounds a day (the amount you get for the one new client signed). Seems that David had the same feeling, and after getting back to the office at around 8 p.m they said me YES.

My clothes were all wet, I was frozen and starving, but I was happy, just because I got what I wanted to . At the office I met some girls who told me that they used to work there in summer after what they quit university and started full-time. I had the hurricane of emotions inside my head but I was making myself to believe that this is a suitable job, and I should try. At around 12 p.m I got home, and burst into tears, unexpectedly. I wasn't able to walk, cook some food or get into shower. I was just crying, what is very unusual for me. I used to work 12 hour shifts before, but I don't remember any time when I was THAT exhausted. What helped me at that moment was my lovely door-mate, who listened to the whole story and said - I know you can do it. But is this really what you want to do? At that moment I was already ready to wake up at 5am as I had to start working at 8am, and I also felt that I have no choice as I tried my best for the whole day, I got cold, heard a lot of nasty people rejecting us, and at the end I got what I wanted to, well, at least that's what I made myself to believe in. I really wanted a job, but I wanted a great experience more, and walking across the houses repeating the same phrases wouldn't give me a lot of a new knowledge. Honestly, that decision-making hour was one of the hardest ones I've ever had. Now I don't even know what was stopping me from saying - No, Thanks. immediately, I bet it was the feeling of pride. I wanted it, I got it, so I have to enjoy it. No and no! Luckily I called my dad, who said that I shouldn't think of any inconvenience that I can make for them, because I am the one who is choosing, and that job was obviously made for young people to work their asses off, without even a guaranteed salary.

By the way there were 2 other candidates leaving the office in the morning with other staff members, but I didn't see them at the end of the shift. They were slightly older, so I guess they had a courage to reject an offer as soon as they found out what this work is gonna be like. They were dressed in suits, without even having jackets with them, so they weren't obviously told the truth as well at the beginning. Sometimes you truly have to push yourself, but you need to know what's worth it, and what is not. In a week of time I signed with an agency that supplies staff for different luxury brands, so I ended up working in a jewelry store on Bond Street. Shifts were also 9 hours long, but the place and people.. stunning!! This is what I really wanted, and guys, I had no doubts when I was agreeing on it. Don't lie to yourself, If you are unsure, and you feel that it's not gonna make you happy, keep searching. It's always good to try, and I am happy that I did, but I am even more happy, that I didn't go for it.

V xx

What do stylists actually have to do?

My first-hand experience!

FIND ANOTHER ARTICLE ON IT IN MY ZINE WHICH IS UNDER VISUALS

Honestly, before getting into fashion industry and styling in particular I had no clue what this job consists of. I wouldn't say that what I thought was that stylists just comes for the shoot and dress models, but I definitely never thought of what happens on the days and weeks beforehand? And what happends on the days before the shoot is usually the craziest. Last week I had my first editorial shoot as a stylist assistant of Verna Taylor-Barker, the photographer we had for the shoot was Gavin Harris who used to shoot across the world and for companys such as Austin Reed and Easy Jet. However what's the most important is that he and Verna have a similar eye on things, and this is what you need for a great shoot. I mean they were slightly correcting each other but they had the same picture in their minds on what the outcome has to look like, and I guess that's the reason why our shoot went so well. My task so far was to assist her not only on the shooting day, but what's even more important - during preparation for it. Yesterday I was contacted by her friend, another stylist who told me she has one editorial shoot to go next week and is urgently looking for assistant, and I said I am happy to help her as well. So here is a little list of things which you do when you are a stylist, always good to know!

 

1. Moodboard. You or create it yourself of get it from photographer. It depends. The main thing is to have a clear image of what you want to show through the shoot. Summer look with shorts and flipflops or an expensive suit for some evening event? Whatever it is, you just grab some similar images from the internet and include it to your moodboard.


2. As soon as you decide on the theme, you start collecting the garments. However the main point of our editorial was to show very expensive stuff we still made it look interesting by adding some oriental props. I went to looooads of charity shops in order to find some kind of papre umbrellas, fans or anything that would give this oriental hint. It was fun as I also found a lot of stuff for myself what I never expected to find there!


3. If you don't need any props then you start researching brands. Loads of brands in order to find the ones that sell stuff that you need. It also depends for which magazine you are shooting and if you are looking for a high-street brands or the luxury ones. For us it's a luxury one so today I went through all the recent catwalks for SS'16, found the garments on their websites and sent all the links to the stylist.


4. The next step is to contact PR agencies. If you have a good contacts or at least any, try to find the PR that deal with the brand you are looking for. You just contact them saying that you need a particular item for a particular shoot, you tell them who you are and if they think that it's worth it, they lend it to you.


5. Quite often you have to actually buy garments and then return them back to the store (that's what I will be doing tomorrow) by saying that it didn't work for you or a person you were buying it for. The main thing is to leave the tags while you are shooting, you can hide it but never ever take it off, unless you are fine about saying bye to 1000 quid that you paid for a suit to be worn for one hour by a model. Keep the receipt and you are fine! 


6. Shooting takes a lot of time unless you stick to the first kinda nice image you get. It may happen, but you better do better. Remember to write down the brands for every outfit as you may forget but it needs to be included in the editorial. We spent there around 6 hours and left the studio very satisfied! 


7. Return the garments and don't mix up the store. That's it! Wait for the new magazine issue to release and enjoy a great job that you've done ;)

Presentation of 'Chloe' SS'16 collection at their store on Sloane Street.

So today was definitely an exciting day! I was working at Chloe boutique as part of the team, firstly dealing with delivery, labelling and afterwards preparing store for the evening event where the VIP clients were invited in order to get to know the SS'16 collection. We had a couple of personal stylists popping in, men who were buying everything what catches their eye and of course a lot of ladies, lovely and mannered ladies! Seems that I am getting more and more into fashion people, they are always so pleasant to talk to..
When it comes to the collection itself as an inspiration for designer Claire Weight-Keller was "magic'' and this is the reason why you can see spades,hearts, diamonds and clubs on bags and garments. Still very feminine and effortless, but this time with a little bit of intrigue! We had a brilliant magician making tricks literally in front of our eyes without  been exposed so it was a brilliant experience at the mysterious and luxury fairytale.

Chloe fairytale! 

You never know where you will face the chance!

Proven.

It was the end of October when I got an opportunity for a one-shift bartender work ''somewhere in Mayfair'' I was given the shift through my mate whom I mate at a house party a couple of weeks before.I had no idea what will it be until I got to the place. Kenzo, Stella McCartney, Burberry.. and finally Paul & JOE boutique store, that was the address I was searching for! My task was to serve some champagne but when I realized who are the people that I am serving I already had a plan in my head. Done. I was observing all these TV stars and paparazzi that were waiting for them outside of the store and all I was telling to myself was - ''Veronika, you are not leaving this place without getting any contacts. NO WAY.''
I was accurate in choosing the right person to come to, I chose Darren Charman who is a London Fashion veteran and definitely stood out with a couple of his friends who turned out to be Joe Alvarez and Verna Taylor-Barker. All the guests were stunning, but this trio was even better! Joe Alvarez is a celebrity and studio photographer based in London. Established for well over a decade, he has covered regularly a whole host of events like: film festivals - Cannes, MTV Awards, Brit Awards, Bafta Film awards, Bafta TV awards,  London Fashion Week, Paris Fashion Week and so on.. Vera Taylor-Barker is quite new to the industry, at her 40s this lady was brave enough to accept that she wants some life changes, and what she did was turning into a stylist, a great stylist I would say! As people started heading off home I came to Darren saying smh like ''Excuse me but I am a fashion student who is looking for any industry experience, maybe you have something to suggest me?'' he replied '' Oh yes, I love it! Bring me some pen and paper'' as in the bad movies there was no paper so I gave him a napkin which I still have as a memory haha. We contacted the next day and are still in touch when I need some advice while Verna is the stylist whom I assist at the moment and here you can look at what we've done so far! x

This shoot was for the luxury lifestyle magazine so was all about high-end garments, however we decided to have a little fun with it and added some Oriental note to it. I run around hundred of vintage shops but it was definitely worth it! 

Images from the backstage. / editorial is coming soon.

Photographer: Gavin Harrison

Stylist: Verna Taylor-Barker

Stylist assistant: Veronika Mihhailova

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